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JJohfrah Lefebvre

Johfrah Lefebvre

Managing director of Voices

Got questions about your casting? Just call or email me. I'll personally help you.

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johfrah@voices.be

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+3227931991

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Johfrah GCV · Jules Delhaizestraat 42, 1080 Sint-Jans-Molenbeek, Belgium · BTW BE0662426460

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Top Voice Artists for Achter de microfoon: waarom een stemkeuze pas na maanden rendeert

  • Johfrah - Johfrah klinkt erg warm. Een stem vol vertrouwen en geloofwaardigheid.
  • Christina - Wat een prachtig stemgeluid heeft Christina: warm, helder en inspirerend.
  • Kristien - Zowel qua stem als taalvaardigheid is Kristien een van onze topfavorieten.
  • Kirsten - Kirsten (StuBru) heeft een zacht en vriendelijk stemgeluid.
  • Gwenny - Gwenny wordt vaak ingezet bij zorggerelateerde bedrijven omdat ze naturel en vertrouwd klinkt.
  • Gitta - Gitta klinkt zoals de woman-next-door. Erg toegankelijk. Ze heeft een warme stem en een duidelijke uitspraak.
  • Machteld - Machteld is een van onze meest gekozen voice-overs: een viertalige stemactrice met meer dan 15 jaar ervaring.
  • Veronique - Veronique is een veelgekozen stemactrice. Ze heeft een zeer warme, dynamische of zachte stem.
Achter de microfoon: waarom een stemkeuze pas na maanden rendeert

29 Jun 2026

5 min read

Behind the microphone: why a voice choice only pays off after months

Take a look behind the scenes of the recording studio and learn why a well-considered voice choice protects your project in the long run.

Behind the microphone: why a voice choice only pays off after months

A video quickly posted online today with hastily recorded text seems to suffice for the first week. But after six months, that quick decision often starts to bother the listener. Selecting a professional voice-over that stands the test of time is not a matter of luck, but of a well-thought-out process behind the scenes. Only when the initial excitement of the launch has subsided do you truly hear whether a voice continues to strike the right chord.

The casting: filtering for sustainable voice quality

In our studio, we don't start with a quick guess. Our database contains 92 publicly available voices, each carefully selected for their professional capabilities. We can immediately hear if a voice has the necessary experience not just to read a text aloud, but to truly carry it.

When selecting a voice, we look for three important criteria behind the scenes:

  • Control over breathing and vocal inflections during longer texts. - The flexibility to immediately apply subtle directorial cues.

  • The quality of the recording equipment and the acoustics of the studio.

When casting, we look at the long term. A voice that sounds very hip or popular now may already sound dated in six months. That is why we look for voices with natural persuasiveness. Think of Kirsten, one of our Belgian voices with a soft and friendly Flemish accent, or Machteld, an experienced Dutch voice actress who has mastered the art of the right nuance. They record their native language, which ensures a credibility that holds up even after months.

The briefing: talking about atmosphere instead of dry instructions

The road to a recording that sticks begins with a clear briefing. Instead of focusing solely on the length of the text, we talk to the voice actor about the atmosphere and the target audience. Should the tone be businesslike and reliable, or rather very accessible and warm? Kaja, one of our German voices, for example, can sound very corporate but also adopt a softer tone if the production calls for it. By establishing these nuances in advance, we prevent a recording from feeling forced over time. We take the time to go through the text and determine the accents, so that the voice actor knows exactly where the emphasis should lie.

The recording session: the director's tip for perfect timing

The real magic happens during the recording in the studio. As a voice director, I often see clients wanting the text recorded as quickly as possible to stay within a tight time limit. However, my most important director's tip is: give the voice room to breathe. A micro-pause just before an important word captures the listener's attention much more strongly than extra volume or an increased speaking pace. This gives the listener time to process the information and ensures a natural cadence that does not become irritating even after repeated listening.

The Cost Structure: Transparency from the Start

Making a sustainable choice also means ensuring there are no surprises regarding rates afterwards. We maintain a clear structure in this regard. For commercial productions, we work with a fixed base rate for recording, supplemented by a buy-out for usage and rights. This buy-out depends on the medium and the duration of the campaign. For non-commercial work, such as an internal corporate video or e-learning, we charge per word or per project. This way, you know exactly where you stand in advance, and the production remains financially sound in the long term.

Delivery and the Test of Time

A hastily chosen voice is like the foundation of a house poured quickly during a mild week. At first glance, it looks fine, but after a harsh winter, the concrete shows the first cracks. It is the same with audio. A voice that has been carefully selected and directed remains solid even after being heard a hundred times and retains its professional appearance. Clients who experience this method notice the difference immediately. For instance, Jasper shared in his review that our voice actor can switch gears quickly and that the quality is always excellent. Steven praised our professional and fast approach for his voicemail. That speed is nice, but the lasting quality is what makes the investment truly worthwhile over the months.

Are you curious how an experienced Flemish voice-over can take your project to the next level and how we can select a voice together that will still fit perfectly a year from now? Feel free to contact us for personal advice and a tailored proposal.

Listen to voices

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Frequently Asked Questions

How do I choose the right voice for a long-term project?

Look primarily at the consistency and experience of the voice actor. Voices who have been in the business for years can deliver a follow-up recording, even after months or years, that sounds exactly the same as the first recording.

What is the difference between commercial and non-commercial rates? For commercial projects, in addition to the recording costs, you also pay for the broadcasting rights (the buy-out), because the recording is used for advertisements. For non-commercial projects, such as internal training sessions, you usually pay a rate per word or per project without additional rights costs.

Which languages are available in your database?

Our professional voice actors natively record various languages, including Danish, German, English, French, Italian, Dutch, Polish, Portuguese, Spanish, and Flemish.

Frequently asked questions

Short and to the point. Click to see the answer.

Can you help me choose the right medium or a buy-out?

Certainly. Medium refers to where the voice will be deployed (e.g., internal video, web, radio, TV, etc.). Buy-out defines the usage period and geographic regions. You can specify these details step-by-step in the price preview; if you're unsure, simply provide a brief description of the voice's intended purpose.

How do quotes work, what is a buyout, and how do I choose the right medium?

A quote is a bespoke, written price quotation. A buy-out refers to where and for how long you are permitted to use the voice (e.g., TV, radio, online). Select your medium in the calculator or quotation flow; this will ensure the price reflects your intended use.

What is the difference between a business video and a radio or TV commercial through Voices?

For a corporate video, the cost primarily covers the recording and its use across your own channels. A radio or TV commercial typically requires a buy-out for broadcast – this is reflected in the chosen medium and usage term. You can select the appropriate medium below the price preview.

I'm looking for the right voice for my video, explainer, or commercial. Where should I start?

Start by listening: choose a few demos that match your tone. Then I'll help you with usage, buy-out or a quote when your script is ready.

How does online learning work at Voices Academy?

You take 15 lessons with video, assignments, and practice materials at your own pace. You receive personal feedback on your submitted recordings.

Start at /academy/; practical questions are answered on this FAQ or via Academy contact.

Do I receive feedback on my recordings?

Yes. You submit practice recordings and receive personal feedback from Johfrah Lefebvre on technique, pace, and interpretation. Want to practise live? Combine Academy with a Studio workshop.

Do I need experience for a beginner's workshop?

No. Beginner workshops start from scratch: breath, articulation, and microphone technique. For each workshop, please check the stated level on /studio/. Want to practise at home before you come? Check out Voices Academy for online lessons.

Can I combine Academy with Studio-workshops?

Yes. Many students initially take online lessons and then attend a live workshop for additional coaching.

Studio: /studio/faq/ · Academy: /academy/.

How much does a professional voice-over cost?

The price depends on three factors: the medium (corporate video, radio advert, telephony), the licence duration (1 year, unlimited) and the script length. With Voices, you see the exact price per voice artist before you order. No surprises later on.

A short corporate video starts from a modest amount. A radio advert with national reach costs more due to the buyout (broadcasting rights). Telephone messages are generally the most affordable.

Tip: enter your script for the voice of your choice and you will instantly see the cost.

What exactly does a buy-out entail in voice-over?

A buy-out is the right to use your recording on a medium (radio, TV, online, telephony) for an agreed period. You'll see it reflected in your price before payment on /tarieven/.

Learn more: buy-out explained · dictionary.

In this article

Behind the microphone: why a voice choice only pays off after monthsThe casting: filtering for sustainable voice qualityThe briefing: talking about atmosphere instead of dry instructionsThe recording session: the director's tip for perfect timingThe Cost Structure: Transparency from the StartDelivery and the Test of TimeFrequently Asked QuestionsHow do I choose the right voice for a long-term project?What is the difference between commercial and non-commercial rates? For commercial projects, in addition to the recording costs, you also pay for the broadcasting rights (the buy-out), because the recording is used for advertisements. For non-commercial projects, such as internal training sessions, you usually pay a rate per word or per project without additional rights costs.Which languages are available in your database?

Terms used in this article

Short definitions that help you decide faster.

E-learning

Educational audio content: course modules, instructional videos, training. Often long texts. That is why we charge per word or per finished hour of audio instead of a standard BSF.

E-learning usually falls under corporate (non-broadcast). For public learning environments, a buy-out may be required.

Breathing exercise

A breathing exercise helps you regulate your heart rate and stress levels using a fixed rhythm or counting pattern. Breathing is the quickest way to calm your nervous system without needing any extra equipment.

Briefing

The step in our checkout where you provide everything the actor needs: the script, the tone of voice (warm/business-like/energetic/...), reference videos or audio, deadline and any NDA requirements.

Buy-out

A Buy-out is the fee you pay for the right to use a voice recording for a specific period and a specific medium (e.g. Radio, TV or Online).

How does it work at Voices.be?

For our telephony messages, we use a unique model:

  • Unlimited use: For telephony, you pay a one-off fee and may continue to use the recording on your exchange indefinitely.
  • Transparency: No complicated annual renewals for your voicemail.

For commercials (Radio/TV), the buy-out depends on the reach and duration. Our price calculator calculates this for you immediately, so you are never faced with surprises.

What customers say

Reviews from customers who have worked with us.

Verified

“Request submitted and they review the text again, making some adjustments where necessary. If there's any detail the client finds a bit difficult in the produced audio, they resolve it very quickly and create a new audio on the same day. Highly recommended and very professional service now. Top! I was assisted and recorded by Johfrah.”

Kevin De Nil

27 Jan 2025

Listen to our voices

Listen to a selection of voice actors and find the right voice for your project.

View all voices
Use the arrow keys to move between voice cards: left and right on a row, up and down between rows.
Emma — English voice-over
Telephony
Telephony
1
You can hear Emma on Amazon

Emma

Studio status green: you can plan a live session with this voice now. Delivery promise is separate on the badge.
British English
Emma heeft een aangename warme Britse stem en kan je kennen als de stem van de aankondigingen in de bussen van Londen.
Sean — English voice-over
Commercial
Commercial
You can hear Sean on Nokia

Sean

Studio status amber: delivery is later than tomorrow. Live session follows the date on the delivery badge.
British English
Sean klinkt erg spontaan en kan je beller helder te woord staan.
Mike — English voice-over
Telephony
Telephony
1
You can hear Mike on Amazon

Mike

Studio status amber: delivery is later than tomorrow. Live session follows the date on the delivery badge.
British English
Mike heeft een diepe, zakelijke stem die je kan kennen van BBC World Services, audioboeken en reclameboodschappen.
Sarah — English voice-over
Telephony
Telephony
You can hear Sarah on Virgin

Sarah

Studio status green: you can plan a live session with this voice now. Delivery promise is separate on the badge.
British English
Sarah heeft meer dan twaalf jaar ervaring als internationale professionele voice-over voor tv, radio en webvideo's.

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Verified

“Voices.be is highly recommended for voice-overs in various languages. A professional company with pleasant communication, quick responses, and overall top-notch service. Look no further.”

Anastasia Van der Maas

16 Jul 2024
Verified

“If you are looking for a reliable supplier, Voices.Be is definitely a recommendation! Our experience was top-notch - fast delivery, excellent quality, and it gives our company a professional appearance.”

Jelle Kerfs

26 Apr 2024
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