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JJohfrah Lefebvre

Johfrah Lefebvre

Managing director of Voices

Got questions about your casting? Just call or email me. I'll personally help you.

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johfrah@voices.be

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+3227931991

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Johfrah GCV · Jules Delhaizestraat 42, 1080 Sint-Jans-Molenbeek, Belgium · BTW BE0662426460

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Top Voice Artists for Dezelfde tekst, twee werelden: de waarheid over stemregie

  • Johfrah - Johfrah klinkt erg warm. Een stem vol vertrouwen en geloofwaardigheid.
  • Christina - Wat een prachtig stemgeluid heeft Christina: warm, helder en inspirerend.
  • Kristien - Zowel qua stem als taalvaardigheid is Kristien een van onze topfavorieten.
  • Kirsten - Kirsten (StuBru) heeft een zacht en vriendelijk stemgeluid.
  • Gwenny - Gwenny wordt vaak ingezet bij zorggerelateerde bedrijven omdat ze naturel en vertrouwd klinkt.
  • Gitta - Gitta klinkt zoals de woman-next-door. Erg toegankelijk. Ze heeft een warme stem en een duidelijke uitspraak.
  • Machteld - Machteld is een van onze meest gekozen voice-overs: een viertalige stemactrice met meer dan 15 jaar ervaring.
  • Veronique - Veronique is een veelgekozen stemactrice. Ze heeft een zeer warme, dynamische of zachte stem.
Dezelfde tekst, twee werelden: de waarheid over stemregie

30 Jun 2026

4 min read

Same script, two worlds: the truth about voice direction

Why does one video sound like a dull manual, while another tells a real story? We debunk five common myths about voice-overs.

Same script, two worlds: the truth about voice direction

The exact same script about sustainability sits on the reading desks of two different studios. For a professional voice-over casting in Brussels, this is what makes the difference between a message that sticks and a video that gets clicked away after three seconds. In the first studio, an occasional voice reads the words monotonously, as if reciting the ingredients on a milk carton. In the second studio, an experienced voice actor gets behind the microphone, plays with the silences, and strikes the right chord. The result is a world of difference, even though not a single word of the script has changed.

Een stemacteur met een koptelefoon spreekt in een professionele microfoon in een opnamestudio.

Myth 1: Any nice voice can deliver a script convincingly

The reality: A nice voice is just the raw material. It is like a piece of expensive fabric: without a good tailor, it will never become a well-fitting suit. A trained voice actor understands the subtext and knows when to breathe to build tension. Our Flemish voice Patrick, who was the trusted voice of Canvas for years, proves this daily. It is not about the tone of voice itself, but the ability to speak directly to the listener without sounding like they are reading aloud.

Myth 2: A voice-over is a quick job with no preparation

The reality: Many people think a voice actor just walks into the studio, rattles off the text once, and leaves. Professional work actually requires thorough preparation and a structured approach. Here is how a high-quality recording really happens:

  1. The briefing: the voice actor receives clear instructions on the target audience and the desired tone.
  2. Pronunciation check: difficult brand names or specific technical terms are reviewed phonetically beforehand.
  3. Post-production: breaths and background noise are removed from the recording for a flawless result.

Our database contains 92 carefully selected, professional voices who know this process inside out. As our client Els mentioned in her review, this makes the recordings not only pleasant to listen to, but also perfectly tailored to the specific needs of the project.

Myth 3: The price of a voice actor is always a random guess

The reality: There is a lot of confusion about rates, but the structure is actually very logical. For a commercial voice-over, you are not just paying for studio time. The price consists of a fixed basic fee for the recording itself, plus a buy-out. This buy-out covers the usage rights for the voice, depending on the medium (such as radio, TV, or online) and the campaign's duration. For non-commercial projects, like an internal e-learning course or a simple corporate video, we usually use a rate per word or per project. This way, you know exactly what to expect upfront through a tailored quote.

Myth 4: Every French or Flemish voice sounds the same everywhere in Belgium

The reality: Belgium is a complex linguistic region, and we hear this immediately in the studio. A French-speaking Belgian voice (French BE) sounds very different from a voice from Paris. The same goes for Flemish versus Dutch from the Netherlands. If you want to make a credible impression in Brussels or Wallonia, choose a local voice-over casting that understands the subtle nuances of the regional language. The wrong accent pulls the listener straight out of the story.

Myth 5: Remote direction results in lower quality

The reality: Some clients worry they will lose control if they are not physically sitting next to the voice actor in the studio. Nothing could be further from the truth. Thanks to modern connections, we direct voices all over the world live.

Director's tip: Never instruct a voice actor to simply sound more enthusiastic. This often leads to an unnatural, shouty tone. Instead, ask them to read the text as if they are explaining it to a close friend at the kitchen table. That small mental shift instantly adds a warm, believable smile to the voice without it feeling forced.

Listen to voices

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Frequently asked questions

How do I choose the right voice for my project?

Look at the purpose of your video. Are you looking for a trusted guide or a dynamic salesperson? Listen to the demos in our database and pay close attention to the voice actor's natural speaking style, rather than just focusing on how deep or warm their voice sounds.

Can I get a demo recording for my project?

Yes, for specific projects, it is possible to request a short custom demo. This lets you hear exactly how your script sounds with your chosen voice, avoiding any surprises later on.

Want to experience for yourself how the right voice direction can take your project to the next level? Get in touch with us for personal advice. We would love to help you find which of our 92 voices fits your story best.

Frequently asked questions

Short and to the point. Click to see the answer.

Can you help me choose the right medium or a buy-out?

Certainly. Medium refers to where the voice will be deployed (e.g., internal video, web, radio, TV, etc.). Buy-out defines the usage period and geographic regions. You can specify these details step-by-step in the price preview; if you're unsure, simply provide a brief description of the voice's intended purpose.

How do quotes work, what is a buyout, and how do I choose the right medium?

A quote is a bespoke, written price quotation. A buy-out refers to where and for how long you are permitted to use the voice (e.g., TV, radio, online). Select your medium in the calculator or quotation flow; this will ensure the price reflects your intended use.

What is the difference between a business video and a radio or TV commercial through Voices?

For a corporate video, the cost primarily covers the recording and its use across your own channels. A radio or TV commercial typically requires a buy-out for broadcast – this is reflected in the chosen medium and usage term. You can select the appropriate medium below the price preview.

I'm looking for the right voice for my video, explainer, or commercial. Where should I start?

Start by listening: choose a few demos that match your tone. Then I'll help you with usage, buy-out or a quote when your script is ready.

How does online learning work at Voices Academy?

You take 15 lessons with video, assignments, and practice materials at your own pace. You receive personal feedback on your submitted recordings.

Start at /academy/; practical questions are answered on this FAQ or via Academy contact.

Do I receive feedback on my recordings?

Yes. You submit practice recordings and receive personal feedback from Johfrah Lefebvre on technique, pace, and interpretation. Want to practise live? Combine Academy with a Studio workshop.

Do I need experience for a beginner's workshop?

No. Beginner workshops start from scratch: breath, articulation, and microphone technique. For each workshop, please check the stated level on /studio/. Want to practise at home before you come? Check out Voices Academy for online lessons.

Can I combine Academy with Studio-workshops?

Yes. Many students initially take online lessons and then attend a live workshop for additional coaching.

Studio: /studio/faq/ · Academy: /academy/.

What exactly does a buy-out entail in voice-over?

A buy-out is the right to use your recording on a medium (radio, TV, online, telephony) for an agreed period. You'll see it reflected in your price before payment on /tarieven/.

Learn more: buy-out explained · dictionary.

How much does a professional voice-over cost?

The price depends on three factors: the medium (corporate video, radio advert, telephony), the licence duration (1 year, unlimited) and the script length. With Voices, you see the exact price per voice artist before you order. No surprises later on.

A short corporate video starts from a modest amount. A radio advert with national reach costs more due to the buyout (broadcasting rights). Telephone messages are generally the most affordable.

Tip: enter your script for the voice of your choice and you will instantly see the cost.

In this article

Same script, two worlds: the truth about voice directionMyth 1: Any nice voice can deliver a script convincinglyMyth 2: A voice-over is a quick job with no preparationMyth 3: The price of a voice actor is always a random guessMyth 4: Every French or Flemish voice sounds the same everywhere in BelgiumMyth 5: Remote direction results in lower qualityFrequently asked questionsHow do I choose the right voice for my project?Can I get a demo recording for my project?

Terms used in this article

Short definitions that help you decide faster.

E-learning

Educational audio content: course modules, instructional videos, training. Often long texts. That is why we charge per word or per finished hour of audio instead of a standard BSF.

E-learning usually falls under corporate (non-broadcast). For public learning environments, a buy-out may be required.

Briefing

The step in our checkout where you provide everything the actor needs: the script, the tone of voice (warm/business-like/energetic/...), reference videos or audio, deadline and any NDA requirements.

Buy-out

A Buy-out is the fee you pay for the right to use a voice recording for a specific period and a specific medium (e.g. Radio, TV or Online).

How does it work at Voices.be?

For our telephony messages, we use a unique model:

  • Unlimited use: For telephony, you pay a one-off fee and may continue to use the recording on your exchange indefinitely.
  • Transparency: No complicated annual renewals for your voicemail.

For commercials (Radio/TV), the buy-out depends on the reach and duration. Our price calculator calculates this for you immediately, so you are never faced with surprises.

What customers say

Reviews from customers who have worked with us.

Verified

“Request submitted and they review the text again, making some adjustments where necessary. If there's any detail the client finds a bit difficult in the produced audio, they resolve it very quickly and create a new audio on the same day. Highly recommended and very professional service now. Top! I was assisted and recorded by Johfrah.”

Kevin De Nil

27 Jan 2025

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Verified

“Voices.be is highly recommended for voice-overs in various languages. A professional company with pleasant communication, quick responses, and overall top-notch service. Look no further.”

Anastasia Van der Maas

16 Jul 2024
Verified

“If you are looking for a reliable supplier, Voices.Be is definitely a recommendation! Our experience was top-notch - fast delivery, excellent quality, and it gives our company a professional appearance.”

Jelle Kerfs

26 Apr 2024
Tesla
Carrefour
Colruyt
MediaMarkt
Nestlé
Goodyear
Douwe Egberts
Bongo
Tempur
Kwantum
Tesla
Carrefour
Colruyt
MediaMarkt
Nestlé
Goodyear
Douwe Egberts
Bongo
Tempur
Kwantum

Listen to our voices

Listen to a selection of voice actors and find the right voice for your project.

View all voices
Use the arrow keys to move between voice cards: left and right on a row, up and down between rows.
Emma — English voice-over
Telephony
Telephony
1
You can hear Emma on Amazon

Emma

Studio status green: you can plan a live session with this voice now. Delivery promise is separate on the badge.
British English
Emma heeft een aangename warme Britse stem en kan je kennen als de stem van de aankondigingen in de bussen van Londen.
Sean — English voice-over
Commercial
Commercial
You can hear Sean on Nokia

Sean

Studio status amber: delivery is later than tomorrow. Live session follows the date on the delivery badge.
British English
Sean klinkt erg spontaan en kan je beller helder te woord staan.
Mike — English voice-over
Telephony
Telephony
1
You can hear Mike on Amazon

Mike

Studio status amber: delivery is later than tomorrow. Live session follows the date on the delivery badge.
British English
Mike heeft een diepe, zakelijke stem die je kan kennen van BBC World Services, audioboeken en reclameboodschappen.
Sarah — English voice-over
Telephony
Telephony
You can hear Sarah on Virgin

Sarah

Studio status green: you can plan a live session with this voice now. Delivery promise is separate on the badge.
British English
Sarah heeft meer dan twaalf jaar ervaring als internationale professionele voice-over voor tv, radio en webvideo's.