Myth: You must rigorously cut out every breath during editing
What is actually true. Completely erasing breaths makes a voice inhuman and robotic. A natural breath actually gives rhythm, humanity, and credibility to the story.
Compare it to the grout between bathroom tiles. You don't want them to be excessively thick and visible, but if you leave them out entirely, the wall collapses. Breathing is the grout that connects the words and gives the listener time to process the information.
Myth: Famous voices are unaffordable for smaller projects
What is actually true. The pricing structure in the industry is logically structured and transparent, making professional quality achievable even for smaller projects. The price depends on the nature of your project:
Commercial work: This consists of a fixed base rate for the studio recording, supplemented by a buy-out fee for usage rights. The amount depends on the medium and the duration of the campaign.
Non-commercial work: For projects such as e-learning or an internal corporate video, fees are usually charged per word or per project, excluding licensing costs for public distribution.
Custom work: For an exact price, it is best to request a custom quote so that you never pay too much for rights you do not use.
Myth: A well-known voice automatically suits every type of brand
What is actually true. A recognizable voice always carries a specific association. If that association clashes with your brand values, you miss the mark completely. It is about the match with the target audience, not the fame of the actor. Our database contains 92 professional voices that are native speakers of various languages:
- Flemish and Dutch
- French and French (BE)
- German, English, and English (US)
- Spanish, Italian, Polish, and Portuguese
Each of these voices, such as the Polish Pawel with his deep, convincing tone or the Spanish Marina with her years of experience, excels in its own niche. Selecting the right pitch and tempo is many times more important than merely having a famous name on the cover.
Myth: The best recordings are created simply by sending a script
What is actually true. A script without directorial instructions is like a blueprint without dimensions. The voice actor must know where the emphasis lies, which words need extra breathing room, and what the desired subtext is. A short briefing on the intended atmosphere prevents a voice actor from recording the text too formally or, conversely, too enthusiastically.